Posted by: Peter Fendi
Distribution Type: Misc
Genre: Art, Biedermeier, Aquarelle, Retro, Classic, Vintage, Uniform, Mature, BBW, Clothed, Voluptuous, Curvaceous, Buxom, Boobs, Big Tits, Busty, Butt, Big Ass, Big Dick, Big Cock, Arse, Backside, Bum, Rear, Bubble, Bottom, Booty, Bikini, Lingerie, Doggy, Cowgirl
Language: None
Page Resolution: 1800x2700
Number of Pages: 40pcs
Format: JPG
Description: Peter Fendi is an Austrian painter, engraver and lithographer. He was one of the leading artists of the Biedermeier era. Born in Vienna on September 4, 1796. His father was a teacher. In infancy, he fell from the changing table, and this injury caused irreparable damage to his back. From childhood, he demonstrated a talent for drawing and was accepted to the Academy of St. Anna of Fine Arts at the age of 13. After graduation, he worked at the Imperial Gallery of Coins and Antiquities as a draftsman and engraver. Fendi received a gold medal in 1821 for his watercolor painting, and was elected a member of the Vienna Academy of Fine Arts in 1836.
Austrian artist Peter Fendi (1796-1842) is considered one of the most mysterious figures in world art. A brilliant draftsman and engraver was a favorite of the court of Kaiser Franz Joseph I and, due to the extreme popularity, most of the artist's works are still in private collections.
His 40 erotic watercolors were practically unknown to the general public, until in 1910 a private publisher from Leipzig published them in the form of a collection of lithographs in the amount of 600 copies. During the existence of the Third Reich, almost all of them were destroyed. In 1910, color lithographs from these erotic paintings were published in Leipzig by a private publisher.
Since almost the entire circulation was destroyed during the time of Nazism, a handful of the full albums of this edition have been preserved, which undoubtedly increases their artistic and bibliographic value.
The erotic series has been repeatedly shown at exhibitions, not so long ago even in Moscow (2008). Back in 1909, art critic Karl Merkel wrote that “if our public had not hesitated between stiffness and vulgarity, then these paintings can be presented at any exhibition and museum”
Add. Information: The publication was released in a circulation of 600 numbered copies, while the publisher guaranteed its subscribers that he would never repeat it.
